Award-winning WorksFestival Platform Award
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Sphere Novel
Video installation
YouYouYou [Japan]
A work that projects text passages from a novel onto the Geo-Cosmos to fully capture narrative scenes in the same way that 360° imagery, such as VR, achieves full capture of surrounding views. Book pages here take on the form of “layers,” like those of an onion, with the peeling off of one layer revealing the story’s continuation. Those who are reading are offered views from a choice of different locations. These include the 1st floor directly beneath the globe, the 3rd and 5th floors facing the atrium with lateral views, and the Oval Bridge encircling the sides of the Geo-Cosmos. Each page contains a number of different events, all occurring simultaneously. Readers can each continue through the story from the position of their choice. Unable to get a complete view of the text displayed on the massive sphere, though, they are denied access to the novel’s full contents. Gazing at the sphere from their respective standpoints, multiple readers can together share in the experience of the same story at the same time, even while imagining differing scenes.
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Sphere Novel
Video installation
YouYouYou [Japan]
A work that projects text passages from a novel onto the Geo-Cosmos to fully capture narrative scenes in the same way that 360° imagery, such as VR, achieves full capture of surrounding views. Book pages here take on the form of “layers,” like those of an onion, with the peeling off of one layer revealing the story’s continuation. Those who are reading are offered views from a choice of different locations. These include the 1st floor directly beneath the globe, the 3rd and 5th floors facing the atrium with lateral views, and the Oval Bridge encircling the sides of the Geo-Cosmos. Each page contains a number of different events, all occurring simultaneously. Readers can each continue through the story from the position of their choice. Unable to get a complete view of the text displayed on the massive sphere, though, they are denied access to the novel’s full contents. Gazing at the sphere from their respective standpoints, multiple readers can together share in the experience of the same story at the same time, even while imagining differing scenes.
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Starman
Music video
Tiff RANDOL / CEN Kelon / Thor FREUDENTHAL / YEN Shih-Lien [United States / China / Germany, United States / Taiwan]
A fulldome short created by singer and performing artist, IAMEVE. It depicts the story of Eve, portrayed by the singer herself, and her soulmate Starman, who seek each other out and reunite in a multi-dimensional world through mesmerizing imagery. Components such as the horizon, the hills and trees, set in outer space, are composed of Eve’s body painted by the body painter Michael Rosner. The human body, representing the landscape, was shot in front of a green screen and later combined with animation. Flowing vocals, coupled with expansive sound, worm their way down the viewer’s ear and into their body. This work is part of a sci-fantasy transmedia project by IAMEVE, The Everything Nothing, about creation, fractured identity, and transcending physical form.
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Starman
Music video
Tiff RANDOL / CEN Kelon / Thor FREUDENTHAL / YEN Shih-Lien [United States / China / Germany, United States / Taiwan]
A fulldome short created by singer and performing artist, IAMEVE. It depicts the story of Eve, portrayed by the singer herself, and her soulmate Starman, who seek each other out and reunite in a multi-dimensional world through mesmerizing imagery. Components such as the horizon, the hills and trees, set in outer space, are composed of Eve’s body painted by the body painter Michael Rosner. The human body, representing the landscape, was shot in front of a green screen and later combined with animation. Flowing vocals, coupled with expansive sound, worm their way down the viewer’s ear and into their body. This work is part of a sci-fantasy transmedia project by IAMEVE, The Everything Nothing, about creation, fractured identity, and transcending physical form.
審査講評
- KAWAMURA MasashiMaking the Mark as “Uniquely Suited Media”As this was the first presentation of the Festival Platform Award, we individually assessed each of the submissions at the same time that we engaged in broad-ranging discussions while conducting our jury panel. For instance, we pondered what sort of scope or course of development might we hope that the award assumes in the future? What we came to discover was that a body of globally-minded concepts was associated with the award, with international entries accounting for over half of all submissions. It seemed that a considerable number of them employed non-verbal "visual narratives" rather than relying on language. In the Geo-Cosmos Category, it seemed to me that the primary basis of our approach to evaluating the work dealt with how to find approaches that would be more meaningful or interesting when viewed on a spherical surface. Many seemed to offer ideas that would be quite alluring in terms of their mode of expression. I would count Sphere Novel among these and believe that was precisely the reason for which it won the award in this category. While the idea behind the work still includes many areas that need to be more fully fleshed out in terms of their mode of expression, it was highly appraised. It suggested new and interactive possibilities in the viewing experience, unique to the spherical setting and not to be found elsewhere. Meanwhile, in the Dome Theater Category, there seemed to be a relatively larger number of expressive approaches that attained just the right sense of immersion in their use of the dome, perhaps because the dome format has become a more generalized method of expression than the sphere has. It felt, then, that competition came down to the level of uniqueness of experience that a particular work might offer in its completed form, taking into account visual craftsmanship and use of sound, among other considerations. Starman, the winner of the award in this category, was characterized by a particularly distinctive and unprecedented worldview. At the same time it featured the sort of production planning that would invite an immersive experience. This was the work that made one most anxious to see the finished result. A number of works were entered in both categories.